George Fenneman

 ( 1919 Births ) 

Fenneman's mellifluous voice, clean-cut good looks, and gentlemanly manner provided the ideal foil for Marx's zany antics and bawdy ad libs.

Robert "Bob" Dwan, director of You Bet Your Life, said "He had a naturally good voice." One day, Fenneman met Dwan at Hollywood and Vine in Los Angeles during his lunch hour. Dwan told Fenneman to immediately go to a studio where auditions were being held for a new Groucho Marx program. Dwan said Fenneman's demeanor made him the perfect straight man for the show. Initially hired for $55 per week, Fenneman's salary reportedly grew to "more than $50,000 per year".

Dwan said "He was the perfect foil for Groucho. We didn't pick him for that reason, however. We picked him because he was very bright, someone who could keep track of the quiz score and do the math on the spot. George's main principle was that he didn't tell the jokes, no matter how good a reply he might have. He knew what his role was, and he was, above all, a gentleman." Fenneman got the job, and was paid $55 a week to start. Groucho frequently encouraged contestants to bet odd amounts, making the arithmetic difficult to keep straight on the fly during a live show. Dwan said "Groucho had a tendency to get them (the show's contestants) to bet odd amounts, like $17.36. So George had a bit of a task." Fenneman said he was "a spring-board of interplay" between Marx and himself. "I was the foil for a lot of his wit. It was sheer trauma for me. I showed up every night and prayed."

Fenneman was a resilient target of Marx's frequent mispronunciations of his name ("Feminine") and other light-hearted teasing. "Groucho called Fenneman the male Margaret Dumont", according to Frank Ferrante, who portrayed Marx onstage in Groucho: A Life in Revue. "George took it as the highest praise. Groucho called him the perfect straight man."

Fenneman said "I was the gentleman, the nice fellow. Older ladies who would watch the show would see me as their son. Oh, the letters they used to write, castigating mean old Groucho for being cruel to that nice young man."

When a young female contestant referred to Fenneman as "Mr. Fidderman", Marx ordered Fenneman onstage and accused him of leading a "double life". On one episode Fenneman was suspended in a harness as a substitute for the show's stuffed duck that was dropped from overhead with a $100 payoff in its beak when a contestant said the secret word during every episode. Fenneman's wife said "Everyone had told Groucho 47 times before the show, 'Don't touch him', so George came down, and Groucho immediately came over and pushed him; and he turned upside down. He was absolutely terrified."

Fenneman said of working with Marx, "I can't impress on you too much what it meant to be working with a legend. I was 30 years old and working with this man who was 60 at the time, who'd been the biggest star of all the media."

After You Bet Your Life ended its network run in 1961, NBC's syndication department prepared new versions of the 1950s shows, with all mentions of the original sponsor removed or cropped out of the picture. Because the reruns had already been established as The Best of Groucho, the syndicated version took that title, and was very successful.

Gradually the show fell out of fashion, as faster-paced game shows videotaped in color forced the old, leisurely black-and-white show off the air. The show remained a memory until 1973, when Groucho Marx accepted a huge shipment of old film prints from an NBC warehouse. Producer John Guedel, anxious to see if there was still a market for the show, sold it on a trial basis to a local station for less than $50 for each night. The show became an instant success, prompting Guedel to send the reruns into syndication almost immediately.

George Fenneman remained friends with Marx until the latter's death in 1977. During that year, Fenneman recalled he was walking a frail Groucho Marx back to his bed during one of his last visits and Marx quietly whispered "Fenneman, you always were a lousy dancer."